Joan of Arc Part 12
ERRORS OF HISTORIANS
At the news of the battle of Herrings, joined to
so many previous reverses and discouragements,
several of Charles's courtiers were of opinion that
he should leave Orleans to its fate--retire with the
remains of his forces into the provinces of Dauphine
or Languedoc--and maintain himself to the utmost
amidst their mountainous recesses. Happily for
France, at this crisis less timid counsels prevailed.
The main merit of these has been ascribed by some
historians, and by every poet, to the far-famed
Agnes Sorel.
"It was fortunate for this good prince," says Hume--
he means Charles VII.--"that, as he lay under the
dominion of the fair, the women whom he consulted had
the spirit to support his sinking resolution in this desperate
extremity....Mary of Anjou, his Queen, a princess
of great merit and prudence, vehemently opposed this
measure....His mistress, too, the fair Agnes Sorel,
seconded all her remonstrances, and threatened that, if he
thus pusillanimously threw away the sceptre of France,
she would seek in the Court of England a fortune more
correspondent to her wishes."
More recently, the great dramatist of Germany
has considerably improved the story, by suppressing
the fact that Charles was already married, and
making him proffer his hand and his crown to the
lovely Agnes.
" She might adorn
The fairest throne on earth, but she disdains it.
My paramour she is, and by that name
Alone doth she desire to be called." *
* Schiller, 'The Maid of Orleans' act i. scene 4.
We feel reluctant to assist in dispelling an illusion
over which the poetry of Schiller has thus thrown the
magic tints of genius. Yet it is, we fear, as certain
as historical records can make it, that it was not till
the year 1431, after the death of Joan of Arc, that
Agnes Sorel appeared at court, or was even seen by
Charles. It is not improbable that the change in
his character after 1439 may have proceeded from
her influence ; such at least was the belief of
Francis I., when he wrote beneath her picture these
lines ;--
"Gentille Agnes, plus d'honneur tu merites
La cause etant de France recouvrer;
Que ce que pent dedans un cloitre ourrer
Close nonain ou bien derot ermite"
But even this opinion it would not be easy to con-
firm from contemporary writers.
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